The later part of the book’s own title was evidence alone of it being severely dated. The book in question was “The Iraqi Threat and Saddam Hussein’s Weapons of Mass Destruction” by Stephen Hughes.
Hughes’ book, released in 2002, is self-published and essentially a compilation of other sources, some of which I’ve already seen. The book has lots of grammatical errors, is fairly scattershot, doesn’t go into detail in parts when it should have, and puts a little too much effort into things like illustrations of aircraft.
However, it did go into more detail on niche stuff like mountain infantry that I found useful. And it’s also interesting to show just how hard it was to get reliable information at the time on an army increasingly reduced to a twisted, tangled jumble of wrecked divisions and an alphabet soup of competing paramilitaries.
As the unofficial “know your enemy” reference book for military officers in the impending Iraq War it was intended as, the book’s format, aircraft illustrations and all, makes a lot more sense. Even if tank formations and corps orders of battle would soon be the last thing American soldiers had to worry about.
Indeed, its very flaws serve as illustrative examples of how murky such states can be. Hughes’ book should not be the first or most prominent source for someone studying the army or period, but it definitely deserves a place on the shelf, if its weaknesses are understood.
Which makes me kind of biased, and not necessarily representative.
Today marks the anniversary of the 1973 Arab-Israeli War, frequently called the Yom Kippur War. The conflict featured the largest post-World War II armor engagements up to that date and the widespread use of anti-tank and anti-air missiles.
Egyptian troops storm the east bank of the Suez Canal in a propaganda painting.
About a decade ago, young me read a tale that would spark an interest in alternate history. That story was A Spanish-Moroccan War in 2002. With a decade of hindsight, with a decade of me both more interested in and more disillusioned by alternate history (long story), what do I think of it?
Well, my first thought is “time to sim some of it in Command”, because boy is something like that meant for Command. In fact, it was the appeal of simulating such slightly unconventional (to an American) conflicts that drove me into that sim in the first place (My very first editor experiment was a Spanish-Nigerian clash over Equatorial Guinea in the 1960s-certainly as far from the GIUK Gap in 198X as it gets.)
But as for the story on its own terms…
- In some cases, it’s like an AH.com style TL, for better or worse. What makes it “better” is that it’s detailed and scope limited. It’s an hour-by-hour recap of a war lasting a few days, and apart from an epilogue, that’s it. I think what’s made me sour on such a writing model is that it’s increasingly not done well-big events are brushed past in a few paragraphs (or less!) while history divergences monstrously in a way that’s clearly “because the author thought it”, and there’s often a lack-of-effort streak visible. This is not the case here.
- It’s also novel, and a conflict that isn’t some mega-dystopia or other clear trend-follower. This combined with the limited scope means it manages to avoid both the “Nazi Confederates Take Over The World” and “Reads Like The Minutes of A Finger Lakes Historical Society Conference” extremes that plague the genre.
- That being said, this kind of story is meant to be experienced an installment at a time as a kind of serial, and having access to the whole thing at once takes a lot of the drama away.
It’s interesting to look back on, at least.
So I have made my first serious essay on Fuldapocalypse, talking about how the WW3 and technothriller genres interwined, and taking a divergence to look at one of my other guilty pleasures-progressive rock, and how it’s oddly similar to technothrillers.
While looking at the Circle Trigon Aggressors (1940s-1970s), I saw their earlier and later ranks.
- The early ranks are made with American insignia, using a mixture of junior bars, major’s leaves, and cavalry sword pins. The later ones use a mixture of bars.
- The rank structure is actually Spanish-inspired rather than being American or Soviet/Russian. Two giveaways are calling lieutenant colonel-equivalents “Commandants” (although in Spain itself it’s major-equivalent) and, more importantly, general officers “general of [unit they’d command]”.
- Following on the above, when they become more blatantly pseudo-Soviet and thus went from “division” to “army”, the position of “general of corps” became obsolete. So the three star rank became “General of Army”, and the four-star rank, commanding army groups, became the clunky “General of Armies“. From a brief machine translation into Esperanto, it became Ĝenerala de Armeo (3 stars) and Ĝenerala de Armeoj (4 stars).
Interesting to see in hindsight.
So I read Ralph Peters’ Red Army, one of the fewer classic World War III novels I hadn’t read yet. A part of me doesn’t want to look a gift horse in the mouth. This is better-written than many of its contemporaries and well-intended. It isn’t just the grit of the battles that works, but how Peters, unlike so many other writers in the genre, goes light on the technical terminology. It still has a little too much viewpoint-hopping, but flows well. In that, I’m reminded of Team Yankee doing a similar thing, and both books are good “counters” to each other.
However, I still have some criticism. A lot of the characterization is done through telling and not showing, and while the viewpoint hopping is smoothed over, it still exists. Also, I think the two main parts of the book are at cross-purposes. The intent is to tell a ground-eye-view story that humanizes the Soviets and a cautionary tale of how NATO could lose. They don’t quite gel, and a lot of the high-level viewpoint characters are infodumpers that make it a little ham-fisted.
The last major comment I have is that the book has a lot of its power lost when read by a history enthusiast several decades later. All the “classics” have this issue too, and it’s not the fault of their writers. But the big “punch” of this is a softball to someone who already knew about the issues that plagued NATO for its entire Cold War existence that the book brings up.
But this is still a worthy Cold War Hot novel that any enthusiast should pick up. I still recommend it.
IE, two good but fundamentally different Cold War novels, idealized American vs. ideal Soviet, star-spangled spectacular American win vs. gritty Soviet win. The readable but horribly erratic Chieftains (let’s say I’ll just be talking more about that book later) can’t quite serve as Coyle’s foil. This can.