So, a while ago, I mentioned Tanya Huff’s Valor series as an example of someone who could work around a writing weakness. Basically, an author whose background and resume would be, on paper, the last person to write effective military fiction managed by setting up the plots so that the characters were in small groups and situations she was comfortable with. It was a sign of working around weakness.
Now, a part of me thinks that its success might not have been in spite of her lack of experience, but in some ways because of it. That is, she had less of the genre’s baggage because she didn’t know you were “supposed” to do something. Granted, all this could just be me viewing the Valor books with rose-tinted goggles as I count the cliches in my latest binge of technothrillers, but still.
(Besides Team Yankee, I’m reading another piece of “Tank Fiction”, Michael Farmer’s Tin Soldiers. The latter hits a lot of the technothriller cliches but is still a good “cheap thriller”)