I have recently read an extraordinarily good article detailing the ascent and descent of the military technothriller.

The article touches on many of the influences on the genre and speculates that the fall of the USSR was a gigantic blow to it. I agree, but think that they’re neglecting to mention what I consider my own theory for the fall of the story-that, as I said in my review of the prototypical example of the genre, the very ubiquity of high technology in warfare made it lose almost all of its novelty value. There’s also the substantial changes to the publishing business as a whole that are not mentioned, although out of fairness, that’s a totally different subject than what the author wanted to talk about.

Another feeling I have is that technothrillers may have simply burned themselves out. Reading multiple Dale Brown books, where the setups get increasingly ridiculous but the structural flaws mentioned in the article are never countered, gives me that feeling.

This might just be my contrarian attitude, but for all that I’ve enjoyed some of the classic technothrillers, the decline in the genre has not exactly been one that I’ve shed the most tears over.

Kind of like adventure games.

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